कट्यां सित वस्त्र वेष्टितः कृष्णः शक्त इवाभिरक्षितुम् । रौद्रः परशुं समुद्यतं धत्ते रक्त विलोचनः पुमान्
kaṭyāṃ sita vastra veṣṭitaḥ kṛṣṇaḥ śakta ivābhirakṣitum | raudraḥ paraśuṃ samudyataṃ dhatte rakta vilocanaḥ pumān
A man, black, a white cloth wound about his waist, red-eyed, fierce, as though able to protect, holds an axe raised on high. ⟨This is the first drekkāṇa of Aries.⟩
1 note on this verse
- About this edition: The mūla names no sign; it is supplied from the chapter's order — v.2 gives the middle of Aries and v.3 its third, so this is the first. kṛṣṇa is rendered "black" as it stands.
रक्ताम्बरा भूषण भक्ष्य चिन्ता कुम्भाकृतिर्वाजि मुखी तृषार्ता । एकेन पादेन च मेष मध्ये द्रेष्काणरूपं यवनोपदिष्टम्
raktāmbarā bhūṣaṇa bhakṣya cintā kumbhākṛtirvāji mukhī tṛṣārtā | ekena pādena ca meṣa madhye dreṣkāṇarūpaṃ yavanopadiṣṭam
⟨A woman⟩ robed in red, her thought on ornaments and food, jar-shaped in figure, horse-faced, tormented by thirst, and ⟨standing⟩ on one foot — this drekkāṇa-form in the middle of Aries the Yavanas (the Greeks) have taught.
1 note on this verse
- About this edition: Every ending in the verse is feminine (raktāmbarā, vājimukhī, tṛṣārtā) but no noun for "woman" stands in the text; supplied. Yavana = the Greeks, whom Varāhamihira names as the authority for this drekkāṇa iconography (again at vv. 19, 21).
क्रूरः कलाज्ञः कपिलः क्रियार्थी भग्न व्रतोऽभ्युद्य तदण्ड हस्तः । रक्तानि वस्त्राणि बिभर्ति चण्डो मेषे तृतीयः कथितस्त्रि भागः
krūraḥ kalājñaḥ kapilaḥ kriyārthī bhagna vrato'bhyudya tadaṇḍa hastaḥ | raktāni vastrāṇi bibharti caṇḍo meṣe tṛtīyaḥ kathitastri bhāgaḥ
Cruel, knowing the arts, tawny, bent on action, his vow broken, an upraised staff in his hand, furious, he wears red garments: in Aries the third third-part (drekkāṇa) is so declared.
1 note on this verse
- About this edition: krūra here describes a human figure, not a graha, so it is rendered "cruel"; the GLOSSARY row (krūra → malefic) is scoped to the planetary class. The e-text's अभ्युद्य तदण्ड हस्तः is read abhyudyata-daṇḍa-hastaḥ, "with an upraised staff in hand".
कुञ्चित लून कचा घटदेहादग्ध पटा तृषिताशन चित्ता । आभरणान्यभिवाञ्छति नारी रूपम् इदं वृष भे प्रथमस्य
kuñcita lūna kacā ghaṭadehādagdha paṭā tṛṣitāśana cittā | ābharaṇānyabhivāñchati nārī rūpam idaṃ vṛṣa bhe prathamasya
A woman with curled, cropped hair, a body like a jar, her garment burnt, her mind on drink and food, longing for ornaments — this is the form of the first ⟨drekkāṇa⟩ in the sign Taurus.
क्षेत्रधान्य गृहधेनु कलाज्ञो लाङ्गले स शकटे कुशलश्च । स्कन्धम् उद्वहति गो पति तुल्यं क्षुत् परोऽज वदनो मल वासा
kṣetradhānya gṛhadhenu kalājño lāṅgale sa śakaṭe kuśalaśca | skandham udvahati go pati tulyaṃ kṣut paro'ja vadano mala vāsā
Knowing fields, grain, house, cows and the arts, and skilled at the plough and the cart, he bears up a shoulder like a bull's; given over to hunger, goat-faced, his clothes filthy. ⟨This is the middle drekkāṇa of Taurus.⟩
1 note on this verse
- About this edition: The mūla gives no position; supplied from the order (v.4 is Taurus' first, v.6 its last). gopati = the bull (also Indra, the Sun); the bull is read here for the sign.
द्विप सम कायः पाण्डुरदंष्ट्रः शरभ समाङ्घ्रिः पिङ्गल मूर्तिः । अवि मृग लोभ व्याकुल चित्तो वृषभ वनस्य प्रान्त गतोऽयम्
dvipa sama kāyaḥ pāṇḍuradaṃṣṭraḥ śarabha samāṅghriḥ piṅgala mūrtiḥ | avi mṛga lobha vyākula citto vṛṣabha vanasya prānta gato'yam
With a body like an elephant's, white-tusked, feet like a śarabha's ⟨a fabled beast⟩, tawny of form, his mind distracted by greed for sheep and deer — this one has gone to the end of the sign ⟨bhavana⟩ of the Bull.
1 note on this verse
- About this edition: The e-text's वृषभ वनस्य ("of the Bull's forest") is read वृषभभवनस्य, vṛṣabha-bhavanasya, "of the sign of the Bull" — one akṣara lost. bhavana in the sense "rāśi" is confirmed by v.7's tṛtīya bhavanasya. śarabha: a fabulous beast, stronger than the lion.
सूच्याश्रयं समभिवाञ्छति कर्म नारी रूपान्विताभरण कार्य कृतादरा च । हीन प्रजोच्छ्रित भुजर्तु मती त्रि भागम् आद्यं तृतीय भवनस्य वदन्ति तज्ज्ञाः
sūcyāśrayaṃ samabhivāñchati karma nārī rūpānvitābharaṇa kārya kṛtādarā ca | hīna prajocchrita bhujartu matī tri bhāgam ādyaṃ tṛtīya bhavanasya vadanti tajjñāḥ
A woman endowed with beauty who longs for work that rests on the needle, and takes pains over the making of ornaments; without offspring, her arms raised, in her courses (ṛtumatī) — those who know it call this the first third-part (drekkāṇa) of the third sign ⟨Gemini⟩.
2 notes on this verse
- About this edition: bhavana = rāśi; the third sign is Gemini. ṛtumatī = in her monthly courses (some read it as "having come of age"); hīna-prajā = without children.
- About this edition: CORRECTED 2026-09-08. Our e-text field printed ्छ्रित भुजऋतु मती त, with an independent vowel ऋ inside the word where र् belongs; the reading is ्छ्रित भुजर्तु मती त. Our ingest broke the sandhi and wrote the exposed vowel. GRETIL, the same exemplar in a better rendering, reads the corrected form.
उद्यान संस्थः कवची धनुष्माञ् छूरोऽस्त्रधारी गरुडाननश्च । क्रीडात्मजालंकरणार्थ चिन्तां करोति मध्ये मिथुनस्यराशेः
udyāna saṃsthaḥ kavacī dhanuṣmāñ chūro'stradhārī garuḍānanaśca | krīḍātmajālaṃkaraṇārtha cintāṃ karoti madhye mithunasyarāśeḥ
Standing in a garden, wearing armour, bearing a bow, a hero carrying weapons, and Garuḍa-faced, he takes thought for play, for offspring and for adornment — ⟨such is the drekkāṇa⟩ in the middle of the sign Gemini.
1 note on this verse
- About this edition: The e-text's गरुडानानाश्च is read garuḍānanaś ca, "and eagle-⟨Garuḍa-⟩faced". [2026-09-23: the mūla now reads गरुडाननश्च; this sentence names गरुडानानाश्च, the form our text carried before the mūla-verification pass of 2026-09-19 corrected it, and it is kept as history.]
भूषितो वरुणवद् बहु रत्नो बद्ध तूण कवचः सधनुष्कः । नृत्त वादित कलासु च विद्वान् काव्य कृन् मिथुनराश्यवसाने
bhūṣito varuṇavad bahu ratno baddha tūṇa kavacaḥ sadhanuṣkaḥ | nṛtta vādita kalāsu ca vidvān kāvya kṛn mithunarāśyavasāne
Adorned like Varuṇa, rich in gems, quiver and armour bound on, a bow with him, learned in the arts of dance and of instrumental music, a maker of poetry — ⟨such is the form⟩ at the close of the sign Gemini.
पत्र मूल फल भृद् द्विप कायः कानने मलयगः शरभाङ्घ्रिः । क्रोड तुल्य वदनो हय कण्ठः कर्कटे प्रथमरूपम् उशन्ति
patra mūla phala bhṛd dvipa kāyaḥ kānane malayagaḥ śarabhāṅghriḥ | kroḍa tulya vadano haya kaṇṭhaḥ karkaṭe prathamarūpam uśanti
Bearing leaves, roots and fruits, elephant-bodied, ranging the woods on Malaya, śarabha-footed, boar-faced, horse-necked — this they hold to be the first form in Cancer.
1 note on this verse
- About this edition: Malaya: the sandal-bearing range of the southern peninsula.
पद्मार्चिता मूर्धनि भोगि युक्ता स्त्री कर्क शारण्य गता विरौति । शाखां पलाशस्य समाश्रिता च मध्ये स्थिता कर्कटकस्यराशेः
padmārcitā mūrdhani bhogi yuktā strī karka śāraṇya gatā virauti | śākhāṃ palāśasya samāśritā ca madhye sthitā karkaṭakasyarāśeḥ
Honoured with lotuses, a serpent on her head, a woman gone into a harsh forest cries aloud, and she clings to a branch of the palāśa ⟨flame-of-the-forest⟩ — she stands in the middle of the sign Cancer.
1 note on this verse
- About this edition: The e-text's कर्क शारण्य गता is resolved as karkaśa + araṇya, "gone into a harsh (thorny) forest"; karka there is not the sign. palāśa = Butea monosperma.
भार्याभरणार्थम् अर्णवं नौस्थो गच्छति सर्प वेष्टितः । हैमैश्च युतो विभूषणैश्चिपिटास्योऽन्त्य गतश्च कर्कटे
bhāryābharaṇārtham arṇavaṃ naustho gacchati sarpa veṣṭitaḥ | haimaiśca yuto vibhūṣaṇaiścipiṭāsyo'ntya gataśca karkaṭe
For his wife's ornaments he goes upon the ocean, standing in a boat, wound about by a serpent, furnished with golden ornaments, flat-faced — and he is gone to the last ⟨drekkāṇa⟩ in Cancer.
1 note on this verse
- About this edition: bhāryābharaṇārtham = for the sake of ornaments for his wife (ābharaṇa, ornament — not bharaṇa, maintenance).
शाल्मलेरुपरि गृध्र जम्बुकौ श्वा नरश्च मलिनाम्बरान्वितः । रौति मातृपितृविप्रयोजितः सिंहरूपम् इदम् आद्यम् उच्यते
śālmalerupari gṛdhra jambukau śvā naraśca malināmbarānvitaḥ | rauti mātṛpitṛviprayojitaḥ siṃharūpam idam ādyam ucyate
Upon a śālmali ⟨silk-cotton tree⟩ a vulture and a jackal; a dog; and a man clad in filthy garments, parted from mother and father, cries out — this is called the first form of Leo.
1 note on this verse
- About this edition: The e-text's विपर्योजितः is read viprayojitaḥ, "separated from". śālmali = Bombax ceiba, the silk-cotton tree. [2026-09-23: the mūla now reads मातृपितृविप्रयोजितः; this sentence names विपर्योजितः, the form our text carried before the mūla-verification pass of 2026-09-19 corrected it, and it is kept as history.]
हयाकृतिः पाण्डुर माल्य शेखरो बिभर्ति कृष्णाजिन कम्बलं नरः । दुरासदः सिंह इवात्त कार्मुको नताग्र नासो मृगराज मध्यमः
hayākṛtiḥ pāṇḍura mālya śekharo bibharti kṛṣṇājina kambalaṃ naraḥ | durāsadaḥ siṃha ivātta kārmuko natāgra nāso mṛgarāja madhyamaḥ
Horse-shaped, a white garland for his crest, the man wears a black antelope's hide and a blanket; hard to approach as a lion, his bow taken up, his nose bent at the tip — ⟨he is⟩ the middle ⟨drekkāṇa⟩ of the king of beasts ⟨Leo⟩.
ऋक्षाननो वानर तुल्य चेष्टो बिभर्ति दण्डं फलम् आमिषं च । कूर्ची मनुष्यः कुटिलैश्च केशैर्मृगेश्वरस्यान्त्य गतस्त्रि भागः
ṛkṣānano vānara tulya ceṣṭo bibharti daṇḍaṃ phalam āmiṣaṃ ca | kūrcī manuṣyaḥ kuṭilaiśca keśairmṛgeśvarasyāntya gatastri bhāgaḥ
Bear-faced, his movements like a monkey's, he carries a staff, fruit and flesh; a bearded man, and with curling hair — ⟨this is⟩ the last third-part (drekkāṇa) of the lord of beasts ⟨Leo⟩.
1 note on this verse
- About this edition: kūrcī = bearded (kūrca, a beard/tuft); āmiṣa = raw flesh, meat.
पुष्प प्रपूर्णेन घटेन कन्या मल प्रदिग्धाम्बर संवृताङ्गी । वस्त्रार्थ संयोगम् अभीष्टमाना गुरोः कुलं वाञ्छति कन्यकाद्यः
puṣpa prapūrṇena ghaṭena kanyā mala pradigdhāmbara saṃvṛtāṅgī | vastrārtha saṃyogam abhīṣṭamānā guroḥ kulaṃ vāñchati kanyakādyaḥ
A maiden with a jar filled with flowers, her body wrapped in a garment smeared with dirt, desiring the getting of clothes and wealth, longs for her teacher's house — ⟨this is⟩ the first ⟨drekkāṇa⟩ of Virgo.
1 note on this verse
- About this edition: guroḥ kulam: the household of her guru — teacher; the word will also carry "elder / husband's people", and the verse does not decide between them. artha = wealth, not "purpose", beside vastra.
पुरुषः प्रगृहीत लेखनिः श्यामो वस्त्र शिरा व्ययायकृत् । विपुलं च बिभर्ति कार्मुकं रोम व्याप्त तनुश्च मध्यमः
puruṣaḥ pragṛhīta lekhaniḥ śyāmo vastra śirā vyayāyakṛt | vipulaṃ ca bibharti kārmukaṃ roma vyāpta tanuśca madhyamaḥ
A man holding a pen, dark, a cloth about his head, a reckoner of outgo and income; and he carries a great bow, and his body is covered with hair — ⟨such is⟩ the middle ⟨drekkāṇa, of Virgo⟩.
1 note on this verse
- About this edition: CORRECTED 2026-09-08: the e-text's व्यायय कृत् is not a word and the emendation stood only in the English. The Bhaṭṭotpala printing reads व्ययायकृत् — vyaya + āya, 'one who deals with expenditure and income', which is what the pen in his hand is for. The sign is not named in the mūla and is supplied from the order (v.16 Virgo's first, v.18 its last).
गौरी सुधौताग्रदुकूल गुप्ता समुच्छ्रिता कुम्भ कटच्छुहस्ता । देवालयं स्त्री प्रयता प्रवृत्ता वदन्ति कन्यान्त्य गतस्त्रि भागः
gaurī sudhautāgradukūla guptā samucchritā kumbha kaṭacchuhastā | devālayaṃ strī prayatā pravṛttā vadanti kanyāntya gatastri bhāgaḥ
Fair, wrapped in a well-washed dukūla ⟨fine cloth⟩ of the first quality, tall, a jar and a ladle in her hands, a woman purified ⟨for worship⟩ and set out for the temple — this, they say, is the last third-part (drekkāṇa) of Virgo.
1 note on this verse
- About this edition: sudhautāgra-dukūla- is ambiguous: agra as "best" (a dukūla of the first quality, taken here) or as "edge" (washed at its borders). dukūla = a fine woven cloth, silk or fine bark-fibre; kaṭacchu = a ladle.
वीथ्यन्तरापण गतः पुरुषस्तुलावान् उन्मान मान कुशलः प्रतिमान हस्तः । भाण्डं विचिन्तयति तस्य च मूल्यम् एतद् रूपं वदन्ति यवनाः प्रथमं तुलायाः
vīthyantarāpaṇa gataḥ puruṣastulāvān unmāna māna kuśalaḥ pratimāna hastaḥ | bhāṇḍaṃ vicintayati tasya ca mūlyam etad rūpaṃ vadanti yavanāḥ prathamaṃ tulāyāḥ
A man gone to a shop in the market street, holding a balance, skilled in weights and measures, counterpoises in his hand, pondering the goods and their price — this form the Yavanas call the first of Libra.
1 note on this verse
- About this edition: unmāna = weight-measure, māna = measure; pratimāna = the counterpoise weights themselves.
कलशं परिगृह्य विनिष्पतितुं समभीप्सति गृध्र मुखः पुरुषः । क्षुधितस्तृषितश्च कलत्र सुतान् मनसैति तुलाधर मध्य गतः
kalaśaṃ parigṛhya viniṣpatituṃ samabhīpsati gṛdhra mukhaḥ puruṣaḥ | kṣudhitastṛṣitaśca kalatra sutān manasaiti tulādhara madhya gataḥ
Taking up a water-jar, a vulture-faced man wants to rush out; hungry and thirsty, in mind he goes to wife and sons — ⟨such is he who⟩ has gone to the middle of the balance-bearer ⟨Libra⟩.
1 note on this verse
- About this edition: manasā eti: he goes to wife and sons in mind only — he is not with them.
विभीषयंस्तिष्ठति रत्न चित्रितो वने मृगान् काञ्चन तूण वर्म भृत् । फलामिषं वानररूपभृन् नरस्तुला वसाने यवनैरुदाहृतः
vibhīṣayaṃstiṣṭhati ratna citrito vane mṛgān kāñcana tūṇa varma bhṛt | phalāmiṣaṃ vānararūpabhṛn narastulā vasāne yavanairudāhṛtaḥ
Bright with gems, bearing a golden quiver and armour, ⟨holding⟩ fruit and flesh, wearing the form of a monkey, a man stands terrifying the deer in the forest — so the Yavanas have declared at the close of Libra.
वस्त्रैर्विहीनाभरणैश्च नारी महा समुद्रात् समुपैति कूलम् । स्थान च्युता सर्प निबद्ध पादा मनोरमा वृश्चिकराशि पूर्वः
vastrairvihīnābharaṇaiśca nārī mahā samudrāt samupaiti kūlam | sthāna cyutā sarpa nibaddha pādā manoramā vṛścikarāśi pūrvaḥ
A woman bereft of clothes and of ornaments comes up to the shore out of the great ocean; fallen from her place, her feet bound by a serpent, and lovely — ⟨this is⟩ the first ⟨drekkāṇa⟩ of the sign Scorpio.
स्थान सुखान्यभिवाञ्छति नारी भर्तृकृते भुजगावृतदेहा । कच्छप कुम्भ स मान शरीरा वृश्चिक मध्यमरूपम् उशन्ति
sthāna sukhānyabhivāñchati nārī bhartṛkṛte bhujagāvṛtadehā | kacchapa kumbha sa māna śarīrā vṛścika madhyamarūpam uśanti
A woman longs for place and comforts for her husband's sake, her body encircled by a snake, her body of the measure of a tortoise and a jar — this they hold to be the middle form of Scorpio.
2 notes on this verse
- About this edition: The e-text's भऋतु कृते is read bhartṛ-kṛte, "for her husband's sake".
- About this edition: CORRECTED 2026-09-08. Our e-text field printed छति नारी भऋतु कृते, with an independent vowel ऋ inside the word where र् belongs; the reading is छति नारी भर्तु कृते. Our ingest broke the sandhi and wrote the exposed vowel. GRETIL, the same exemplar in a better rendering, reads the corrected form. [2026-09-23: the mūla now reads भर्तृकृते; this sentence names भर्तु, the form our text carried before the mūla-verification pass of 2026-09-19 corrected it, and it is kept as history.]
पृथुल चिपिट कूर्म तुल्य वक्त्रः श्व मृग वराह सृगाल भीषकारी । अवति च मलयाकर प्रदेशं मृग पतिरन्त्य गतस्य वृश्चिकस्य
pṛthula cipiṭa kūrma tulya vaktraḥ śva mṛga varāha sṛgāla bhīṣakārī | avati ca malayākara pradeśaṃ mṛga patirantya gatasya vṛścikasya
Broad and flat of face like a tortoise, striking fear into dog, deer, boar and jackal, a lion guards the mine-region of Malaya — ⟨this is the form⟩ of the last part of Scorpio.
1 note on this verse
- About this edition: The e-text writes वक्र for vaktra, "face" (so too in v.25) — not vakra, Mars/retrograde. mṛgapati here is the animal, a lion, not the sign Leo. malayākara = the mine- or source-region of the Malaya range. [2026-09-23: the mūla now reads वक्त्रः; this sentence names वक्र, the form our text carried before the mūla-verification pass of 2026-09-19 corrected it, and it is kept as history.]
मनुष्य वक्त्रोऽश्व स मान कायो धनुर्विगृह्यायतम् आश्रमस्थः । क्रतूपयोज्यानि तपस्विनश्च ररक्ष आद्यो धनुषस्त्रि भागः
manuṣya vaktro'śva sa māna kāyo dhanurvigṛhyāyatam āśramasthaḥ | kratūpayojyāni tapasvinaśca rarakṣa ādyo dhanuṣastri bhāgaḥ
Human-faced, his body of the measure of a horse, having seized a long bow, standing at a hermitage, he guarded what is fit for use in sacrifice, and the ascetics — ⟨he is⟩ the first third-part (drekkāṇa) of Sagittarius.
1 note on this verse
- About this edition: The e-text's चररक्षाद्यो is read ca rakṣaty ādyaḥ, "and he guards; ⟨he is⟩ the first". As transmitted the fourth pāda is one syllable short of the upajāti, so a syllable has been lost in transmission; the sense (guarding sacrificial requisites and ascetics; the first drekkāṇa) is not in doubt, since v.26 says "middle" and v.27 "third". [2026-09-23: the mūla now reads तपस्विनश्च ररक्ष आद्यो; this sentence names चररक्षाद्यो, the form our text carried before the mūla-verification pass of 2026-09-19 corrected it, and it is kept as history.]
मनोरमा चम्पक हेम वर्णा भद्रासने तिष्ठति मध्यरूपा । समुद्ररत्नानि विघट्टयन्ती मध्य त्रि भागो धनुषः प्रदिष्टः
manoramā campaka hema varṇā bhadrāsane tiṣṭhati madhyarūpā | samudraratnāni vighaṭṭayantī madhya tri bhāgo dhanuṣaḥ pradiṣṭaḥ
Lovely, of the colour of campaka and of gold, she sits on a fine seat, of middling build, turning over the gems of the sea — the middle third-part (drekkāṇa) of Sagittarius is thus declared.
1 note on this verse
- About this edition: madhyarūpā is taken as "of middling form/build"; it could also be read as anticipating madhya-tribhāga, "the middle figure". campaka: Michelia champaka, whose flower is golden.
कूर्ची नरो हाटक चम्पकाभो वरासने दण्डधरो निषण्णः । कौशेयकान्युद्वहतेऽजिनं च तृतीयरूपं नवमस्यराशेः
kūrcī naro hāṭaka campakābho varāsane daṇḍadharo niṣaṇṇaḥ | kauśeyakānyudvahate'jinaṃ ca tṛtīyarūpaṃ navamasyarāśeḥ
A bearded man, shining like gold and campaka, seated on an excellent seat and holding a staff, wears silks and a deerskin — ⟨this is⟩ the third form of the ninth sign ⟨Sagittarius⟩.
रोम चितो मकरोपमदंष्ट्रः सूकरकाय समान शरीरः । योक्त्रक जालक बन्धनधारी रौद्र मुखो मकर प्रथमस्तु
roma cito makaropamadaṃṣṭraḥ sūkarakāya samāna śarīraḥ | yoktraka jālaka bandhanadhārī raudra mukho makara prathamastu
Covered with hair, his tusks like a makara's ⟨the sea-monster's⟩, his body of the measure of a hog's, carrying rope, net and fetters, terrible of face — such is the first ⟨drekkāṇa⟩ of Capricorn (makara).
1 note on this verse
- About this edition: makara stands twice in the verse in two senses: the sea-monster (the tusks) and the sign Capricorn (the placement).
कलास्वभिज्ञाब्जदलायताक्षी श्यामा विचित्राणि च मार्गमाणा । विभूषणालंकृत लोह कर्णा योषा प्रदिष्टा मकरस्य मध्ये
kalāsvabhijñābjadalāyatākṣī śyāmā vicitrāṇi ca mārgamāṇā | vibhūṣaṇālaṃkṛta loha karṇā yoṣā pradiṣṭā makarasya madhye
Skilled in the arts, her eyes long as lotus-petals, dark, and seeking out curious things, her ears adorned with ornaments of metal (loha) — such a woman is declared for the middle of Capricorn.
1 note on this verse
- About this edition: loha = iron, and metal generally; the verse does not specify which.
किन्नरोपम तनुः स कम्बलस्तूण चाप कवचैः समन्वितः । कुम्भम् उद्वहति रत्न चित्रितं स्कन्धगं मकरराशि पश्चिमः
kinnaropama tanuḥ sa kambalastūṇa cāpa kavacaiḥ samanvitaḥ | kumbham udvahati ratna citritaṃ skandhagaṃ makararāśi paścimaḥ
His body like a kinnara's, with a blanket, furnished with quiver, bow and armour, he carries on his shoulder a jar bright with gems — ⟨this is⟩ the last ⟨drekkāṇa⟩ of the sign Capricorn.
1 note on this verse
- About this edition: paścima is literally "western, hindmost"; of a drekkāṇa it means the last of the three. kinnara: a being of Kubera's train, part human and part horse (or bird).
स्नेह मद्य जल भोजनागम व्याकुली कृत मनाः स कम्बलः । कोश कार वसनोऽजिनान्वितो गृध्र तुल्य वदनो घटादिगः
sneha madya jala bhojanāgama vyākulī kṛta manāḥ sa kambalaḥ | kośa kāra vasano'jinānvito gṛdhra tulya vadano ghaṭādigaḥ
His mind made distracted by the getting of oils, liquor, water and food; wrapped in a blanket, clothed in silk and furnished with a hide, his face like a vulture's — ⟨such is⟩ the one who has come to the first ⟨drekkāṇa⟩ of Ghaṭa (Aquarius).
1 note on this verse
- About this edition: kośakāra-vasana = a garment made by the silkworm, i.e. silk. sneha here is the unctuous substance (oil/ghee), not affection — the Hindi keeps स्नेह with a gloss so the Sanskrit word survives.
दग्धे शकटे स शाल्मले लोहान्याहरते अङ्गना वने । मलिनेन पटेन संवृता भाण्डैर्मूर्ध्नि गतैश्च मध्यमः
dagdhe śakaṭe sa śālmale lohānyāharate aṅganā vane | malinena paṭena saṃvṛtā bhāṇḍairmūrdhni gataiśca madhyamaḥ
By a burnt cart, in a forest with śālmalī trees, a woman carries iron ⟨wares⟩; she is wrapped in a soiled cloth, with vessels ⟨set⟩ upon her head — ⟨this is⟩ the middle ⟨drekkāṇa of Ghaṭa/Aquarius⟩.
1 note on this verse
- About this edition: E-text corruption: संव्ऱ्ता writes ऱ् (U+0931 + virāma) where the vowel-sign ृ belongs; read संवृता (saṃvṛtā, 'covered'), which sense and metre both require. The e-text also leaves the hiatus āharate aṅganā unresolved (for āharate 'ṅganā). Neither affects the meaning. सशाल्मले is taken as a locative adjective of वने; some read दग्धशकटे-सशाल्मले वने, 'in a forest of burnt carts and śālmalī trees' — the picture is the same.
श्यामः सरोम श्रवणः किरीटी त्वक् पत्र निर्यास फलैर्बिभर्ति । भाण्डानि लोह व्यतिमिश्रितानि सञ्चारयत्यन्त गतो घटस्य
śyāmaḥ saroma śravaṇaḥ kirīṭī tvak patra niryāsa phalairbibharti | bhāṇḍāni loha vyatimiśritāni sañcārayatyanta gato ghaṭasya
Dark-complexioned, with hairy ears, wearing a diadem, he sustains ⟨himself⟩ by bark, leaves, resin and fruits, and carries about vessels of mixed metal — ⟨such is⟩ the one gone to the end of Ghaṭa (the last drekkāṇa of Aquarius).
1 note on this verse
- About this edition: Two points. (1) The e-text's sandhi सञ्चारयन्त्यन्तगतो implies sañcārayanti (3rd pl.), which cannot agree with the singular śyāmaḥ … bibharti; read the participle sañcārayan (सञ्चारयन्नन्तगतो), which scans identically in the Upajāti pāda. (2) बिभर्ति with the instrumental त्वक्पत्रनिर्यासफलैः can mean 'sustains himself by' or 'is laden with'; the English must choose, the Hindi 'से भरण करता है' holds both. [2026-09-23: the mūla now reads सञ्चारयत्यन्त; this sentence names sañcārayan, the form our text carried before the mūla-verification pass of 2026-09-19 corrected it, and it is kept as history.] [2026-10-02: the earlier dated sentence is wrong on one point: sañcārayan was this note's conjecture, never our text, which had सञ्चारयन्त्यन्त. A lexicon row of 2026-09-19 wrote the singular, and the mūla now reads सञ्चारयत्यन्त for सञ्चारयन्त्यन्त.]
स्रुग् भाण्ड मुक्तामणि शङ्ख मिश्रैर्व्याक्षिप्त हस्तः स विभूषणश्च । भार्या विभूषार्थम् अपां निधानं नावा प्लवत्यादि गतो झषस्य
srug bhāṇḍa muktāmaṇi śaṅkha miśrairvyākṣipta hastaḥ sa vibhūṣaṇaśca | bhāryā vibhūṣārtham apāṃ nidhānaṃ nāvā plavatyādi gato jhaṣasya
His hands busied with an assortment of sacrificial ladles, vessels, pearls, gems and conches, and himself adorned with ornaments, he sails by boat over the receptacle of the waters ⟨the ocean⟩ for the sake of ornaments for his wife — ⟨such is⟩ the one gone to the first ⟨drekkāṇa⟩ of Jhaṣa (Pisces).
1 note on this verse
- About this edition: मिस्रैः is the e-text's spelling of मिश्रैः. अपां निधानम्, 'the receptacle of the waters', is the ocean; kept literal with the gloss supplied.
अत्युच्छ्रितध्वज पताकम् उपैति पोतं कूलं प्रयाति जलधेः परिवारयुक्ता । वर्णेन चम्पक मुखी प्रमदा त्रि भागो मीनस्य चैष कथितो मुनिभिर्द्वितीयः
atyucchritadhvaja patākam upaiti potaṃ kūlaṃ prayāti jaladheḥ parivārayuktā | varṇena campaka mukhī pramadā tri bhāgo mīnasya caiṣa kathito munibhirdvitīyaḥ
She approaches a ship with flags and banners raised very high; attended by her retinue she goes to the shore of the ocean — a young woman, campaka-hued of face in her complexion. And this the sages have declared to be the second third-part ⟨drekkāṇa⟩ of Mīna (Pisces).
1 note on this verse
- About this edition: त्रिभाग, 'third part', is this verse's word for the drekkāṇa — the only verse in this unit to name it that way; glossed rather than replaced. वर्णेन चम्पकमुखी is ambiguous between 'campaka-coloured in complexion' and 'campaka-faced'; both renderings keep वर्ण and चम्पक in view. This is the only drekkāṇa of the six whose ascription is credited to the munis.
श्वभ्रान्तिके सर्प निवेष्टिताङ्गो वस्त्रैर्विहीनः पुरुषस्त्वटव्याम् । चौरानल व्याकुलितान्तरात्मा विक्रोशतेऽन्त्योपगतो झषस्य
śvabhrāntike sarpa niveṣṭitāṅgo vastrairvihīnaḥ puruṣastvaṭavyām | caurānala vyākulitāntarātmā vikrośate'ntyopagato jhaṣasya
Near a pit, his limbs coiled about by a serpent, a man in the wilderness stripped of clothing, his inmost self distraught by thieves and fire, cries aloud — ⟨such is⟩ the one gone to the last ⟨drekkāṇa⟩ of Jhaṣa (Pisces).
1 note on this verse
- About this edition: The e-text reads सर्पनिवेष्टिताङ्गा (feminine/neuter) against the masculine पुरुषः; read -ाङ्गः, which scans identically. The e-text also leaves the hiatus vikrośate antyopagato unresolved (for vikrośate 'ntyopagato). Rendered at full weight: व्याकुलितान्तरात्मा is the inner self thrown into turmoil, and विक्रोशते is a shout of distress, not a call.