14.1a reading here is contested उल्लिख्य सामुद्रिकलक्षणानि वरः कुमारीं वृणुयान्निमित्तैः । एवं कुमारी वरमप्युदर्को न ह्येकधारं निरधारि धीरैः
ullikhya sāmudrikalakṣaṇāni varaḥ kumārīṃ vṛṇuyānnimittaiḥ | evaṃ kumārī varamapyudarko na hyekadhāraṃ niradhāri dhīraiḥ
Having noted the sāmudrika marks (the signs read from the body), the groom should choose the girl, ⟨and also⟩ by omens (nimitta); in the same way ⟨the girl's side should choose⟩ the groom. For the wise have not settled the outcome (udarka) as resting on a single support (eka-dhāra).
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "ह्येकधारं"; alternatives "ह्येकधाऽरं" — no avagraha printed; the gloss reads एकधा अरं
स्वप्नो निमित्तं शकुनाः स्वकर्म शरीरमागन्तुकमद्भुतानि । दोषाभिचारग्रहचारकालकाम्यानि चैवं विविधः फलाध्वा
svapno nimittaṃ śakunāḥ svakarma śarīramāgantukamadbhutāni | doṣābhicāragrahacārakālakāmyāni caivaṃ vividhaḥ phalādhvā
Dreams, portents (nimitta), omens (śakuna), one's own deeds, the body, chance events from outside (āgantuka), prodigies (adbhuta), faults (doṣa), sorcery (abhicāra), the motion of the planets, time, and rites done for a desired end (kāmya) — thus the road of results is manifold.
प्राक्कर्म बीजं सलिलानिलोर्वीसंस्कारवत्कर्म विधीयमानम् । शोषाय पोषाय च तस्य तस्मात्सदा सदाचारवतां न हानिः
prākkarma bījaṃ salilānilorvīsaṃskāravatkarma vidhīyamānam | śoṣāya poṣāya ca tasya tasmātsadā sadācāravatāṃ na hāniḥ
Past karma is the seed; the karma now being done is like the tending of it by water, wind and soil — for its withering or for its nourishing. Therefore those of good conduct never suffer loss.
फलेद्यदि प्राक्तनमेव तत्किं कृष्याद्युपायेषु परः प्रयत्नः । श्रुतिः स्मृतिश्चापि नृणां निषेधविध्यात्मके कर्मणि किं निषण्णा
phaledyadi prāktanameva tatkiṃ kṛṣyādyupāyeṣu paraḥ prayatnaḥ | śrutiḥ smṛtiścāpi nṛṇāṃ niṣedhavidhyātmake karmaṇi kiṃ niṣaṇṇā
If only what was done before bore fruit, why then the great effort in means such as farming? And why would śruti and smṛti (revealed and remembered scripture) concern themselves with human action made of prohibitions and injunctions? [The page prints no number after this verse.]
1 note on this verse
- About this edition: The page prints no number after this verse. It is a verse of its own because the printing sets its commentary directly after it, as it does after every verse; it is published at position 4.
14.5a reading here is contested छायां विधोर्न ध्रुवमृक्षमालामालोकयेद्यो न च मातृचक्रम् । खण्डम्पदं यस्य च कर्दमादौ कफश्च्युतो मज्जति चाम्बुचुम्बी
chāyāṃ vidhorna dhruvamṛkṣamālāmālokayedyo na ca mātṛcakram | khaṇḍampadaṃ yasya ca kardamādau kaphaścyuto majjati cāmbucumbī
⟨Signs of a man near death:⟩ one who cannot see the Moon's shadow (chāyā), the pole star (dhruva), the garland of stars, nor the circle of the Mothers (mātṛ-cakra); whose footprint in mud and the like is broken (incomplete); and whose phlegm, spat out, sinks when it touches water.
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "ध्रुवमृक्षमालामालोकयेद्यो"; alternatives "ध्रुवमृत्तमालामालोकयेद्यो" — the old-font क्ष looks like त्त
14.6a reading here is contested उरः पुरः शुष्यति यस्य चार्द्रं न मान्ति तिस्रोऽङ्गुलयश्च वक्त्रे । स्नातस्य मूर्द्धन्यपि धूमवल्ली निलीयते रिक्तमुखः खगो वा
uraḥ puraḥ śuṣyati yasya cārdraṃ na mānti tisro'ṅgulayaśca vaktre | snātasya mūrddhanyapi dhūmavallī nilīyate riktamukhaḥ khago vā
Whose chest, when wet, dries before ⟨the rest of the body⟩; into whose mouth three fingers do not fit; on whose head, after he has bathed, a trail of smoke clings, or a bird with an empty beak settles.
2 notes on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "चार्द्रं"; alternatives "चार्द्र" — a repha and a small hook stand above द्र; the hook may be an anusvāra or part of the repha
- Where the Sanskrit is open: Reader's uncertainty: read "तिस्रोऽङ्गुलयश्च"; alternatives "तिस्रोऽङ्ग्गुलयश्च" — ङ्ग is set as a half ङ beside ग
14.7a reading here is contested नाकीर्णकर्णः शृणुयाच्च घोषं नो वा सुभुक्तोपि धृतिं विधत्ते । निश्रीरकस्मात्सुतरां च सुश्रीः कृशःस्थवीयानपि योप्यकस्मात्
nākīrṇakarṇaḥ śṛṇuyācca ghoṣaṃ no vā subhuktopi dhṛtiṃ vidhatte | niśrīrakasmātsutarāṃ ca suśrīḥ kṛśaḥsthavīyānapi yopyakasmāt
Who, with his ears stopped, does not hear the roar ⟨within⟩; or who, even well fed, finds no contentment; who suddenly loses his lustre, or suddenly becomes very lustrous; who, being lean, suddenly becomes stout.
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "शृणुयाच्च"; alternatives "श्रृणुयाच्च" — zoomed: the श has an extra loop, as in the श्रृ spelling
14.8a reading here is contested अतीव तुच्छं बहु चात्त्यहेतोरतीतसात्म्यः सदसत्प्रवृत्तौ । अप्यंगुलिक्रान्तविलोचनान्तो न मेचकं चान्द्रकमीक्षते यः
atīva tucchaṃ bahu cāttyahetoratītasātmyaḥ sadasatpravṛttau | apyaṃgulikrāntavilocanānto na mecakaṃ cāndrakamīkṣate yaḥ
Who without cause eats very little or very much; who has departed from his settled nature in good and bad conduct; who, even with the corner of his eye pressed by a finger, does not see the dark moon-like spot (cāndraka).
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "चात्त्यहेतोरतीतसात्म्यः"; alternatives "चात्यहेतोरतीतसात्म्यः" — zoomed: the conjunct after चा reads as त्त्य (च + अत्ति + अहेतोः; the gloss has अत्ति); the second त is compressed
14.9a reading here is contested मध्येललाटं मणिबन्धधारी न चाल्पिकां पश्यति यः कलावीम् । अहेतुकं यः शवगन्धिगात्रः सर्वत्र सीमन्तितमूर्धजो वा
madhyelalāṭaṃ maṇibandhadhārī na cālpikāṃ paśyati yaḥ kalāvīm | ahetukaṃ yaḥ śavagandhigātraḥ sarvatra sīmantitamūrdhajo vā
Who, holding his wrist (maṇibandha) to the middle of the forehead, does not see the small kalāvī [the sense of this phrase and of the word kalāvī is not certain to us]; who without cause ⟨has⟩ a body ⟨smelling of⟩ a corpse [the page prints śava-mandhi-gātraḥ, which gives no clear sense; the text is corrected to śava-gandhi-gātraḥ, 'whose body smells of a corpse', as the edition's own Sanskrit gloss reads: one letter, म for ग]; or whose hair is parted everywhere.
What the printed page actually sets, here
The Sanskrit above is what our source reads — one encoded source, machine-parsed. This printed page sets it differently. Because only one source stands behind this verse, that difference has not been adjudicated: both readings are shown and neither has been weighed against the other.
मध्येललाटं मणिबन्धधारी न चाल्पिकां पश्यति यः कलावीम् । अहेतुकं यः शवमन्धिगात्रः सर्वत्र सीमन्तितमूर्धजो वा
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "शवमन्धिगात्रः"; alternatives "शवगन्धिगात्रः" — zoomed: the print clearly has म, not ग; the commentary on this page glosses शवगन्धिगात्रः and the Hindi says 'मुर्दे के समान गन्ध', so म is probably a misprint. Print kept.
14.10a reading here is contested अपि क्षरद्रोमनखः शरीरात् स्वप्ने स्रवद्वामविलोचनो वा । निरीक्षते सत्त्वममानुषं वा विस्रस्तनासानयनश्रुतिर्वा
api kṣaradromanakhaḥ śarīrāt svapne sravadvāmavilocano vā | nirīkṣate sattvamamānuṣaṃ vā visrastanāsānayanaśrutirvā
Or whose body-hair and nails drop from his body; or whose left eye streams in sleep; or who sees a being that is not human; or whose nose, eyes and ears have slackened.
2 notes on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "स्रवद्वामविलोचनो"; alternatives "स्त्रवद्वामविलोचनो", "स्रवद्धामविलोचनो" — zoomed: the first conjunct is the स्र ligature; the next is द्वा (the lower member looks like व, but ध cannot be excluded on a bitonal scan)
- Where the Sanskrit is open: Reader's uncertainty: read "विस्रस्तनासानयनश्रुतिर्वा"; alternatives "विस्त्रस्तनासानयनश्रुतिर्वा" — the conjunct after वि is the same स्र ligature as in the line above
14.11a reading here is contested आक्षिप्यमाणो दिशि दक्षिणस्यां जागर्ति यानेऽधिकृतः खरादौ । नेदिष्ठदिष्टान्तममुं कुमार्या नाऽऽर्य्याः प्रदानाय वरं वृणीरन्
ākṣipyamāṇo diśi dakṣiṇasyāṃ jāgarti yāne'dhikṛtaḥ kharādau | nediṣṭhadiṣṭāntamamuṃ kumāryā nā''ryyāḥ pradānāya varaṃ vṛṇīran
Who is dragged away toward the southern quarter; ⟨or⟩ who wakes set upon a mount such as a donkey [the phrase 'jāgarti yāne 'dhikṛtaḥ kharādau' is rendered literally; it may describe a dream] — such a man, whose end is very near, the noble should not choose as groom for the giving of the girl.
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "कुमार्या"; alternatives "कुमार्याः" — zoomed: no visarga is visible after कुमार्या before the space; the commentary on this page reads कुमार्याः. Print kept.
छायां निरीक्ष्य क्षणमन्तरिक्षं पश्यन्न यो निश्चलनेत्रपातः । शुभ्राभ्रसच्छायमिह स्वकायं पश्येत्स नश्येद्विकृतौ विकारः
chāyāṃ nirīkṣya kṣaṇamantarikṣaṃ paśyanna yo niścalanetrapātaḥ | śubhrābhrasacchāyamiha svakāyaṃ paśyetsa naśyedvikṛtau vikāraḥ
Having gazed at ⟨his own⟩ shadow and then, for a moment, at the sky with unmoving eyes, one who does not see his own body there looking like a white cloud will perish; if ⟨the image is⟩ distorted, a disorder ⟨follows⟩.
प्रदक्षिणावर्तशरीररोमा वृषस्वनः फेनिलमूत्रपातः । नात्यल्पपार्ष्णिर्मनसा गभीरो धीरोन्नतारम्भरुचिर्यशस्वी
pradakṣiṇāvartaśarīraromā vṛṣasvanaḥ phenilamūtrapātaḥ | nātyalpapārṣṇirmanasā gabhīro dhīronnatārambharuciryaśasvī
⟨Marks of a good groom:⟩ whose body-hair whorls turn to the right (clockwise); whose voice is like a bull's; whose urine falls foaming; whose heel is not too small; who is deep in mind, steady, fond of lofty undertakings, and renowned.
14.14a reading here is contested स्निग्धेक्षणत्वङ्नखदन्तकेशो युवा सुवासाः परिवीतचेष्टः । न स्त्रीमुखो निप्रभशान्तमूर्तिर्न चातिकृष्णेक्षणतारको वा
snigdhekṣaṇatvaṅnakhadantakeśo yuvā suvāsāḥ parivītaceṣṭaḥ | na strīmukho niprabhaśāntamūrtirna cātikṛṣṇekṣaṇatārako vā
Whose eyes, skin, nails, teeth and hair are glossy; who is young, well dressed and restrained in his movements; whose face is not a woman's; whose form is tranquil and of abundant lustre (niprabha here is nitarāṃ prabhā, 'of exceeding radiance', as both commentaries we hold expand it, and not a defective niṣprabha); and whose pupils are not too black.
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "निप्रभशान्तमूर्तिर्न"; alternatives "निष्प्रभशान्तमूर्तिर्न" — zoomed: the print shows नि followed directly by the प्र ligature, with no ष्; निष्प्रभ is probably meant. Print kept.
14.15a reading here is contested औचित्यचारी शुचिरिङ्गितज्ञो विशालहस्ताननबाहुवक्षाः । सर्वोपि सत्त्वाकृतिमान्कुलीनः कन्याप्रदानाय वरो न रोगी
aucityacārī śuciriṅgitajño viśālahastānanabāhuvakṣāḥ | sarvopi sattvākṛtimānkulīnaḥ kanyāpradānāya varo na rogī
Who acts with propriety, is pure, and understands hints; broad in hands, face, arms and chest — any such man, with inner strength and a good form, of good family, ⟨is fit as⟩ a groom for the giving of the girl; not a sick one.
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "सर्वोपि"; alternatives "सर्वोऽपि" — Zoomed: no avagraha glyph printed in the mūla; the commentary below prints सर्वोऽपि with ऽ. Kept as printed.
14.16a reading here is contested श्मश्रुश्यामोन्नतोष्ठी पृथुकरचरणा ह्रस्वरूक्षाग्रकेशा निःशौचा रोमशांगी कृशकुटिलचलत्क्रूरसच्छद्मदृष्टिः । वामावर्ता विशालोन्नतविकटनटद्भ्रूललाटा स्पृशन्ती नोर्वीमन्त्यांगुलिभ्यामनियतबहुभुग्गेहिनी देहिनी रुक्
śmaśruśyāmonnatoṣṭhī pṛthukaracaraṇā hrasvarūkṣāgrakeśā niḥśaucā romaśāṃgī kṛśakuṭilacalatkrūrasacchadmadṛṣṭiḥ | vāmāvartā viśālonnatavikaṭanaṭadbhrūlalāṭā spṛśantī norvīmantyāṃgulibhyāmaniyatabahubhuggehinī dehinī ruk
⟨A woman⟩ whose raised lips are dark with a moustache; with broad hands and feet; with short hair, rough at the tips; unclean; hairy-limbed; with a thin, crooked, restless, cruel, deceitful gaze; with a leftward whorl; with a broad, raised, jutting, twitching brow and forehead; who does not touch the ground with her last toes; who eats much at no fixed time — such a housewife is disease in bodily form.
2 notes on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "श्मश्रु"; alternatives "शमश्रु" — The first ligature could be read as श + म; taken as श्म.
- Where the Sanskrit is open: Reader's uncertainty: read "ह्रस्वरूक्षाग्रकेशा"; alternatives "ह्रस्वरुक्षाग्रकेशा", "हस्वरूक्षाग्रकेशा" — Zoomed 3x. ह carries the inner curl this font uses for ह्र (same glyph as निःस्वातिह्रस्वा on p.114). The letter after स्व is र with a hook, read रू (रु possible). The next conjunct is this font's क्ष glyph (as in वक्षाः); the Hindi on p.114 says रूखे, i.e. रूक्ष.
या स्फिग्ललाटोदरलम्बिनी सा स्यात्कान्तकान्तानुजतातहन्त्री । नितम्बिनी स्वल्पनितम्बगुह्या द्रुह्यात्पतिं दीर्घगला कुलघ्नी
yā sphiglalāṭodaralambinī sā syātkāntakāntānujatātahantrī | nitambinī svalpanitambaguhyā druhyātpatiṃ dīrghagalā kulaghnī
She whose buttocks, forehead and belly hang down would be the killer of her husband, of her husband's younger brother, and of the father (tāta). A woman with very small hips and private parts would betray her husband; one with a long neck destroys the family. [The verse does not say whether the three marks match the three victims in order.]
14.18a reading here is contested निःस्वातिह्रस्वा धमनौ पुरंध्री प्रायेण तत्रातिपृथुः प्रचण्डा । कपोलकूपा हसितेप्यशीला कूर्मोदरी दुःखदरी दुरात्मा
niḥsvātihrasvā dhamanau puraṃdhrī prāyeṇa tatrātipṛthuḥ pracaṇḍā | kapolakūpā hasitepyaśīlā kūrmodarī duḥkhadarī durātmā
A wife very short in the neck (dhamani) is poor; one very broad there is mostly fierce. One whose cheeks form wells (dimples) when she laughs is of bad character; one with a tortoise-like belly is a cavern of sorrow (duḥkha-darī), evil-natured.
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "ह्रस्वा"; alternatives "हस्वा" — Zoomed: ह carries the inner curl this font uses for ह्र.
रेखाभिरंगुष्ठतलेऽङ्गनानां पुंस्त्रीप्रसूतिर्विपुलाल्पिकाभिः । अच्छिन्नभिन्नाभिरखण्डमायुः खण्डन्तदन्याभिरमूभिरस्याः
rekhābhiraṃguṣṭhatale'ṅganānāṃ puṃstrīprasūtirvipulālpikābhiḥ | acchinnabhinnābhirakhaṇḍamāyuḥ khaṇḍantadanyābhiramūbhirasyāḥ
By the lines at the base of the thumb in women: broad ⟨lines⟩ ⟨show⟩ the birth of sons, thin ones of daughters; unbroken and unsplit ⟨lines⟩ ⟨show⟩ an unbroken life; the other ⟨kind⟩ of these ⟨lines⟩ ⟨show⟩ her life cut short.
14.20a reading here is contested एका तिर्यक्तर्जनीं याति रेखा तर्जन्यंगुष्ठान्तराले तदन्या । ते द्वे स्यातामायुरैश्वर्यरेखे तत्सौन्दर्य्ये सुन्दरत्वं तयोः स्यात्
ekā tiryaktarjanīṃ yāti rekhā tarjanyaṃguṣṭhāntarāle tadanyā | te dve syātāmāyuraiśvaryarekhe tatsaundaryye sundaratvaṃ tayoḥ syāt
One line runs slantwise to the index finger (tarjanī); another ⟨runs⟩ into the space between the index finger and the thumb. These two are the line of life and the line of prosperity; when they are well formed, their ⟨results⟩ are fine.
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "तत्सौन्दर्य्ये"; alternatives "तत्सौन्दर्ये" — zoomed: repha over a doubled य with e-mātrā; the commentary below prints तत्सौन्दर्ये
ऐश्वर्यरेखाशिखरेण मूलाद्युनक्ति याऽसौ पितृवंशरेखा । नीरन्ध्रबन्धा गृहबन्धनाय बंहीयसी वंशविवर्धनाय
aiśvaryarekhāśikhareṇa mūlādyunakti yā'sau pitṛvaṃśarekhā | nīrandhrabandhā gṛhabandhanāya baṃhīyasī vaṃśavivardhanāya
The line that, from the root ⟨of the palm⟩, joins the tip of the prosperity line is the line of the father's lineage (pitṛ-vaṃśa-rekhā). Joined without a gap, it ⟨makes⟩ for a settled household; very thick, it ⟨makes⟩ for the growth of the lineage.
कनिष्ठिकाजीवितरेखयोः स्यान्मध्ये मिथः कान्तकलत्ररेखा । अपत्यरीत्या करभे परस्मिन् भवन्ति सांमातुरवर्गरेखाः
kaniṣṭhikājīvitarekhayoḥ syānmadhye mithaḥ kāntakalatrarekhā | apatyarītyā karabhe parasmin bhavanti sāṃmāturavargarekhāḥ
Between the little finger (kaniṣṭhikā) and the life line lies the line of husband and wife (kānta-kalatra). On the other karabha (the outer edge of the palm below the little finger) are the lines of the sāṃmātura group (children of the same mother), read in the manner of ⟨the lines of⟩ children. [The sense of the second half is not certain to us.]
14.23a reading here is contested अनामिकामूलविभूषणं या पुण्यस्य रेखा तदवाप्तिहेतुः । निःसीमसीमन्तितपञ्चशाखा कस्योर्ध्वरेखा न करोति राज्यम्
anāmikāmūlavibhūṣaṇaṃ yā puṇyasya rekhā tadavāptihetuḥ | niḥsīmasīmantitapañcaśākhā kasyordhvarekhā na karoti rājyam
The line that adorns the root of the ring finger (anāmikā) is the line of merit (puṇya), the cause of gaining it. For whom does the upward line (ūrdhva-rekhā), parting the five-branched ⟨hand⟩ without any limit, not make kingship?
2 notes on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "पञ्चशाखा"; alternatives "पश्चशाखा" — the conjunct is the old ञ्च ligature, which looks like श्च in this type; read as ञ्च (the ṭīkā has पञ्चशाखा too)
- About this edition: The page sets this verse's number २३ with no daṇḍas around it.
14.24a reading here is contested अरूक्षगम्भीरमनोहराभी रेखाभिरन्तर्मधुपिङ्गलाभिः । न चातिबह्वीभिरवामवामेष्वंगेषु पुंस्त्रीफलयोः स्फुटत्वम् ।
arūkṣagambhīramanoharābhī rekhābhirantarmadhupiṅgalābhiḥ | na cātibahvībhiravāmavāmeṣvaṃgeṣu puṃstrīphalayoḥ sphuṭatvam |
By lines that are not rough, that are deep and pleasing, honey-tawny within, and not too many — on the right and the left limbs — the results for men and for women ⟨respectively⟩ become clear.
2 notes on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "मनोहराभी"; alternatives "मनोहराभिः" — print sets -राभी with a long ī and no visarga; the ṭīkā has मनोहराभिः. Kept as printed
- Where the Sanskrit is open: Reader's uncertainty: read "अरूक्ष"; alternatives "अरुक्ष" — the u-mātrā under र looks long here and short in the ṭīkā; क्ष is the old ligature that resembles त्त
14.25a reading here is contested । सरोजश्रीवृक्षध्वजगजतिमिस्तम्भकलशस्रगादर्शच्छत्रांकुशकुलिशभृङ्गारगिरिभिः । रथाश्वश्रीवत्सव्यजनयवयूपप्रभृतिभिर्नरा नार्यो राज्यं दधति पदपाणिप्रणयिभिः ।
| sarojaśrīvṛkṣadhvajagajatimistambhakalaśasragādarśacchatrāṃkuśakuliśabhṛṅgāragiribhiḥ | rathāśvaśrīvatsavyajanayavayūpaprabhṛtibhirnarā nāryo rājyaṃ dadhati padapāṇipraṇayibhiḥ |
By ⟨marks shaped like⟩ a lotus, the śrīvṛkṣa ('tree of fortune'), a banner, an elephant, a fish (timi), a pillar, a pot (kalaśa), a garland, a mirror, a parasol, a goad, a thunderbolt (kuliśa), a spouted jar (bhṛṅgāra), a mountain, a chariot, a horse, the śrīvatsa, a fan, a barley grain, a sacrificial post and the like, set on the feet and hands, men and women hold kingship.
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "श्रीवृक्ष"; alternatives "श्रीवृत्त" — old क्ष ligature, shaped like त्त
। अर्चितं वचनमुन्नतं मनो निर्विशेषसुखदं वपुर्दृशाम् । अस्ति चेदघपराङ्मुखा मतिर्लक्षणैः किमपरैर्नृयोषिताम् ।
| arcitaṃ vacanamunnataṃ mano nirviśeṣasukhadaṃ vapurdṛśām | asti cedaghaparāṅmukhā matirlakṣaṇaiḥ kimaparairnṛyoṣitām |
If there is speech that is honoured, a lofty mind, a body that gives delight to all eyes alike, and an understanding turned away from sin — what need is there of other marks, for men or women?
। वरस्य कन्यावरणे वरेण्यो दुर्गेव यो दक्षिणचेष्टितश्च । अदक्षिणं चेष्टितमिष्टमाहुस्तयोः कुमारी वृणुयाद्वरं चेत् ।
| varasya kanyāvaraṇe vareṇyo durgeva yo dakṣiṇaceṣṭitaśca | adakṣiṇaṃ ceṣṭitamiṣṭamāhustayoḥ kumārī vṛṇuyādvaraṃ cet |
When the groom chooses a girl, the best ⟨omen⟩ is one that, like the durgā ⟨a creature of omen-lore⟩, moves on the right side. If the girl chooses the groom, they call the leftward movement of these two desirable.
14.28a reading here is contested । शुनो गतिर्दक्षिणेष्टा कुमारी यत्र कांक्षिणी । अदक्षिणा यत्र तत्र वर एतां वुवूर्षति
| śuno gatirdakṣiṇeṣṭā kumārī yatra kāṃkṣiṇī | adakṣiṇā yatra tatra vara etāṃ vuvūrṣati
A dog's course on the right is favourable where the girl is the one seeking; on the left, where the groom wishes to choose her. ⟨This is the reverse of the rule in verse 27.⟩
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "दक्षिणेष्टा" — क्ष set in the old ligature that resembles क्त; read as क्ष throughout this page
14.29a reading here is contested आरोप्याक्षतपूरिते गणपतिम्प्रस्थादिपात्रे शनैः संमार्जन्यववेष्टिते युवतयस्तिस्रः सकन्या निशि । निर्याता रजकादिवेश्मसु करे कृत्वा तमभ्यर्चितं यां वाचं शृणुयुस्तदर्थसदृशी सिद्धिः किलोपश्रुतौ
āropyākṣatapūrite gaṇapatimprasthādipātre śanaiḥ saṃmārjanyavaveṣṭite yuvatayastisraḥ sakanyā niśi | niryātā rajakādiveśmasu kare kṛtvā tamabhyarcitaṃ yāṃ vācaṃ śṛṇuyustadarthasadṛśī siddhiḥ kilopaśrutau
Having gently placed ⟨an image of⟩ Gaṇapati in a vessel such as a prastha measure filled with unbroken rice (akṣata) and wrapped with a broom, three young women together with the girl go out at night to the houses of washermen and others, holding him, worshipped, in their hands; whatever words they hear, the success will match their meaning — so it is in upaśruti (the omen of overheard speech).
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "शृणुयु"; alternatives "श्रृणुयु" — ś + ṛ ligature; the stroke under श could be read as a र-hook
श्रुतित्रिपूर्वावसुवह्निमित्रविश्वानिलर्क्षे वरणं कुमार्याः । तच्चावमन्येत न चेतसापि यदाचरेयुः स्वकुलोक्तमार्याः
śrutitripūrvāvasuvahnimitraviśvānilarkṣe varaṇaṃ kumāryāḥ | taccāvamanyeta na cetasāpi yadācareyuḥ svakuloktamāryāḥ
The choosing (varaṇa, betrothal) of the girl ⟨is done⟩ in the nakṣatras (lunar mansions) Śravaṇa (śruti), the three Pūrvas (Pūrvaphalgunī, Pūrvāṣāḍhā, Pūrvabhādrapadā), Dhaniṣṭhā (vasu), Kṛttikā (vahni), Anurādhā (mitra), Uttarāṣāḍhā (viśve) and Svātī (anila). And whatever the noble practise as taught in their own family, one should not disregard that even in thought.
14.31a reading here is contested वेदिकां विरचयेत्तथा यथा स्यादियं प्रविशतश्च दक्षिणे । स्युर्जनाश्रययवोप्तिवर्णिकाः षण्णवत्रिदिवसेषु नाग्रतः
vedikāṃ viracayettathā yathā syādiyaṃ praviśataśca dakṣiṇe | syurjanāśrayayavoptivarṇikāḥ ṣaṇṇavatridivaseṣu nāgrataḥ
One should build the altar (vedikā) so that it stands on the right of a person entering. The ⟨raising of the⟩ shelter for the people (janāśraya, the wedding pavilion), the sowing of barley (yavopti) and the varṇikā ⟨rite⟩ should fall on the 6th, 9th or 3rd day ⟨before the wedding⟩, not ahead ⟨of these⟩. [We render 'na agrataḥ' as 'not earlier'; it may instead mean 'not in front'. The verse does not say what the varṇikā rite is; the word means 'colouring'.]
1 note on this verse
- Where the Sanskrit is open: Reader's uncertainty: read "षण्णवत्रि"; alternatives "षण्नवत्रि" — the second nasal after half-ण् reads as ण; the commentary spells षण्नव
कन्यकोक्तविधिवत्पुलोमजापूजनं सयुवतिः समाचरेत् । घ्नन्ति चाशुभमविघ्नमातरो मातृयज्ञकुलकर्मशान्तयः
kanyakoktavidhivatpulomajāpūjanaṃ sayuvatiḥ samācaret | ghnanti cāśubhamavighnamātaro mātṛyajñakulakarmaśāntayaḥ
⟨The girl⟩, together with young women, should perform the worship of Pulomajā (Śacī, Indra's consort) according to the rule stated for a maiden (kanyakā). And the Mothers who grant freedom from obstacles (avighna-mātaraḥ; or: Avighna and the Mothers), the sacrifice to the Mothers (mātṛ-yajña), the family rites (kula-karma) and the rites of pacification (śānti) destroy what is inauspicious.